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Wintour honors Lagerfeld; Bottega Veneta shows new direction

A model wears a creation as part of the Versace women's Fall-Winter 2019-2020 collection, that was presented in Milan, Italy, Friday, Feb. 22, 2019. (AP Photo/Luca Bruno)

MILAN (AP) — Anna Wintour paid tribute Friday to Karl Lagerfeld's generosity and sense of humor as she presented a new fashion exhibition. Elsewhere in Milan, Versace unveiled its first womenswear collection since the Italian fashion house become part of a U.S. fashion group, and luxury brand Bottega Veneta's new creative director showcased a collection that draws on the house's heritage but pushed it toward a forward-dressing consumer.

The American Vogue editor-in-chief said that Lagerfeld, who died this week, "would have loved" the Costume Institute's upcoming exhibit "Camp: Notes on Fashion" at the Metropolitan Museum of Art, given his "wonderful sense of humor."

American Vogue editor-in-chief Anna Wintour, presents this year's Costume Institute exhibition titled ''Camp: Notes on Fashion,'' at the Teatro Gerolamo, in Milan, Italy, Friday, Feb. 22, 2019. The exhibition will be shown at the Metropolitan Museum of Art of New York, from May 9-Sept. 8, 2019. (AP Photo/Luca Bruno)

"Karl was the very best benefactor and collaborator, as erudite as he was generous," Wintour said.

Highlights from the third day of Milan Fashion Week previewing designs for the upcoming fall and winter:

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VERSACE EMBRACES IMPERFECTION

Donatella Versace mixed luxury and grunge in a new collection that calls on the Italian fashion house's key iconographic details of past decades. It was the Milan fashion house's first womenswear show since becoming part of the Capri Holdings Limited owned by Michael Kors.

Model Gigi Hadid wears a creation as part of the Versace women's Fall-Winter 2019-2020 collection, that was presented in Milan, Italy, Thursday, Friday, Feb. 22, 2019. (AP Photo/Luca Bruno)

Versace said before the show that "grunge is an attitude, that time in life when people were more deep in the sense of thoughts, talking and thinking." She said there is need for more of that now.

Models wear creations as part of the Versace women's Fall-Winter 2019-2020 collection, that was presented in Milan, Italy, Thursday, Friday, Feb. 22, 2019. (AP Photo/Luca Bruno)

Grunge came through in the purposely ravaged cashmere sweaters, held together by Versace hardware, including the Greek-head safety pin, like one that came with the invitation. The sweater paired perfectly with a tweed skirt with a colorful silk and lace slip peeking out.

A model wears a creation as part of the Versace women's Fall-Winter 2019-2020 collection, that was presented in Milan, Italy, Friday, Feb. 22, 2019. (AP Photo/Luca Bruno)

Other looks were more eclectic, as if pulled from some 1970s magic trunk of slinky, colorful pieces that layered into fun, upbeat looks including a shimmery turquoise slip dress, to the lace tights and V-branded pink-and-green coat with an acid green fur collar. Versace also played with the house's bondage heritage, with bondage tops laying over ribbed turtlenecks for day or forming the bodice of an evening dress.

A model wears a creation as part of the Versace women's Fall-Winter 2019-2020 collection, that was presented in Milan, Italy, Friday, Feb. 22, 2019. (AP Photo/Luca Bruno)

She closed on a series of black looks modeled by Gigi Hadid, her sister Bella Hadid, with iconic 1990s supermodel Stephanie Seymour closing the show.

Model Bella Hadid wears a creation as part of the Versace women's Fall-Winter 2019-2020 collection, that was presented in Milan, Italy, Thursday, Friday, Feb. 22, 2019. (AP Photo/Luca Bruno)

"With this collection, I wanted to show that side of a woman that isn't afraid to step outside of her comfort zone because she knows that imperfection is the new perfection," Versace said in her notes.

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BOTTEGA VENETA'S NEW DIRECTION

Bottega Veneta took a sharp turn under its new creative director Daniel Lee, reorienting the brand toward a more fashion-forward dresser.

A model wears a creation as part of the Bottega Veneta women's Fall-Winter 2019-2020 collection, that was presented in Milan, Italy, Thursday, Friday, Feb. 22, 2019. (AP Photo/Antonio Calanni)

The British millennial designer's first collection since joining the brand, owned by the French group Kering, incorporated Bottega's trademark "intreccio" weave in innovative ways while taking its core leather accessories in a fresh direction.

A model wears a creation as part of the Bottega Veneta women's Fall-Winter 2019-2020 collection, that was presented in Milan, Italy, Thursday, Friday, Feb. 22, 2019. (AP Photo/Antonio Calanni)

An oversized weave on a red knitwear tunic emphasized the intreccio's inherent grace. The weave was left open on a leather skirt for a laser-cut effect, while a repeating tab technique created leather coats for him and her with a slight wave effect. Bags included molded leather in fresh geometric shapes.

A model wears a creation as part of the Bottega Veneta women's Fall-Winter 2019-2020 collection, that was presented in Milan, Italy, Thursday, Friday, Feb. 22, 2019. (AP Photo/Antonio Calanni)

In the combined men's and women's collections, Lee put a lot of emphasis on the female neckline, which scooped, dipped and performed other more complicated geometric tricks. A leather tuxedo shirt with a plunging neckline was paired with an ice-green quilted skirt with a puffer coat aesthetic.

A model wears a creation as part of the Bottega Veneta women's Fall-Winter 2019-2020 collection, that was presented in Milan, Italy, Thursday, Friday, Feb. 22, 2019. (AP Photo/Antonio Calanni)

For men, knitwear looks were overlapped with large open panels and modernized necklines. A man's coat had wide shoulders, and was kept short for an overall square silhouette, and worn over an all-leather biker ensemble.

Models wear creations as part of the Bottega Veneta women's Fall-Winter 2019-2020 collection, that was presented in Milan, Italy, Thursday, Friday, Feb. 22, 2019. (AP Photo/Antonio Calanni)

Overall, the collection projected a hardness with ample leather and hardware, but the designer's softer side came through in knitwear and pieces like a mirrored coat for women that moved like silk.

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MARNI'S CEREBRAL EROTICISM

Marni creative director Francesco Rizzo says his woman for next season is a vigilante pursuing her prey in an escape room that has no limits.

A model wears a creation as part of the Marni women's Fall-Winter 2019-2020 collection, that was presented in Milan, Italy, Thursday, Friday, Feb. 22, 2019. (AP Photo/Antonio Calanni)

She is dressed for extremes as day turns to night, a little bit goth, a little bit huntress. The collection is an unusual yet sexy mix of satin, wool and leather. Each piece is an iteration of uniform that evolves. Panels of color reveal pleats, dresses twist and fold, pleated panels become trailing scarves on shirts, satin runs into plaid wool, edges are left unfinished. It is one big game of trompe l'oeil. A print looks like squares up close, only to reveal a woman's face or a bouquet of flowers at a distance, like a pixelated Mondrian.

A model wears a creation as part of the Marni women's Fall-Winter 2019-2020 collection, that was presented in Milan, Italy, Thursday, Friday, Feb. 22, 2019. (AP Photo/Antonio Calanni)

 

The looks are somewhere between eccentric office attire and sexy cocktail dress. Both the clothes and the accessories were covered with metal, rings, spikes, buttons, big crystals. Chastity belts cinch jacket waists for a fetish touch; metallic chainmail covers a ghostly white satin dress.

A model wears a creation as part of the Marni women's Fall-Winter 2019-2020 collection, that was presented in Milan, Italy, Thursday, Friday, Feb. 22, 2019. (AP Photo/Antonio Calanni)

Rizzo said the collection was also meant as a battle cry against censorship.

A model wears a creation as part of the Marni women's Fall-Winter 2019-2020 collection, that was presented in Milan, Italy, Thursday, Friday, Feb. 22, 2019. (AP Photo/Antonio Calanni)

"It is very easy to censor at this moment," the designer said backstage. "We need to remember revolutionary moments when (Yves) Saint Laurent, (Helmut) Newton created revolutions with the freedom of body. Today Marni for me is about cerebral eroticism."

A model wears a creation as part of the Marni women's Fall-Winter 2019-2020 collection, that was presented in Milan, Italy, Thursday, Friday, Feb. 22, 2019. (AP Photo/Antonio Calanni)

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CAMP AS FASHION'S ZEITGEIST

The inclusion of many pieces from recent runway collections in the upcoming Costume Institute exhibit focusing on "camp" is an indication of its relevance in the fashion world, the curator said.

Curator Andrew Bolton says camp has been used "as an escape but also a tool for political criticism."

"I think camp has this ... playful sort of approach to the Zeitgeist. ... It's a reaction and a reflection of the times we are living," he said.

American Vogue editor-in-chief Anna Wintour, right, Gucci creative director Alessandro Michele, left, and curator Andrew Bolton stand during the presentation of this year's Costume Institute exhibition titled ''Camp: Notes on Fashion,'' at the Teatro Gerolamo, in Milan, Italy, Friday, Feb. 22, 2019. (AP Photo/Luca Bruno)

The exhibit, sponsored by Gucci, will include pieces from creative director Alessandro Michele's fall and winter 2018-2019 collections, as well as recent looks from Viktor & Rolf and Palomo Spain. It runs from May 9 to Sept. 8 at the Metropolitan Museum of Art in New York.

"The exhibition in some ways belongs to the DNA of what I have done in these years," Michele said. "Camp isn't only a word created to explain how much you can be extravagant, exaggerated. It is that thing that hides the great power of clothes and the great power of appearance."

The show will also include a Lagerfeld creation — a 1987 Chanel look inspired by Versailles — among 120 that he donated to the Met's Costume Institute.

Presenting the exhibition in Milan, Wintour expressed her gratitude for Lagerfeld, whom she described as a "great friend and an important donor," her voice cracking as she spoke.

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